The Lovers, by René Magritte, 1928

“Art is not what you see, but what you make others see” – Edgar Degas, French artist (1834-1917)

In today’s art piece we examine The Lovers, By René Magritte

A blind date? Two lovers are trying to kiss through their separate grey hoods, lips never meeting, the cloth dry and suffocating on the tongue.

They cannot see each other, they cannot feel each other and they cannot even kiss: it’s a masterpiece of sexual frustration.

But the cornice above their heads suggests the bourgeois imprisonment of a couple glued together by convention yet also blocked by each other. Perhaps they don’t know each other at all. It’s the nightmare of a lonely relationship.

Frustrated desires are a common theme in René Magritte’s work. Here, a barrier of fabric prevents the intimate embrace between two lovers, transforming an act of passion into one of isolation and frustration.

Some have interpreted this work as a depiction of the inability to fully unveil the true nature of even our most intimate companions.

Enshrouded faces were a common motif in Magritte’s art. The artist was 14 when his mother committed suicide by drowning. He witnessed her body being fished from the water, her wet nightgown wrapped around her face. Some have speculated that this trauma inspired a series of works in which Magritte obscured his subjects’ faces.

Magritte disagreed with such interpretations, denying any relation between his paintings and his mother’s death. “My painting is visible images which conceal nothing,” he wrote, “they evoke mystery and, indeed, when one sees one of my pictures, one asks oneself this simple question, ‘What does it mean?’ It does not mean anything, because mystery means nothing either, it is unknowable.”


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