Born 10 October 1941 Kenule Tsaro-Wiwa, Saro-Wiwa was the son of Chief Jim Wiwa, a forest ranger that held a title in the Nigerian chieftaincy system, and his third wife Widu. He officially changed his name to Saro-Wiwa after the Nigerian Civil war. He was married to Maria Saro Wiwa. His father’s hometown was the village of Bane, Ogoniland, whose residents speak the Khana dialect of the Ogoni language. Saro-Wiwa spent his childhood in an Anglican home and eventually proved himself to be an excellent student; he received primary education at a Native Authority school in Bori, then attended secondary school at Government College Umuahia. A distinguished student, Saro-Wiwa was captain of the table tennis team and amassed school prizes in history and English. On completion of secondary education, he obtained a scholarship to study English at the University of Ibadan. At Ibadan, he plunged into academic and cultural interests, he won departmental prizes in 1963 and 1965 and worked for a drama troupe. The travelling drama troupe performed in Kano, Benin, Ilorin and Lagos and collaborated with the Nottingham Playhouse theatre group that included a young Judi Dench. He briefly became a teaching assistant at the University of Lagos and later at University of Nigeria, Nsukka. Saro-Wiwa was an African literature lecturer in Nsukka when the Civil war broke out, he supported the Federal Government and had to leave the region for his hometown of Bori. On his journey to Port-Harcourt, he witnessed the multitudes of refugees returning to the East, a scene he described as a “sorry sight to see”. Three days after his arrival, nearby Bonny fell to federal troops. He and his family then stayed in Bonny, he travelled back to Lagos and took a position at the University of Lagos which did not last long as he was called back to Bonny.
He was called back to become the Civilian Administrator for the port city of Bonny in the Niger Delta and during the Nigerian Civil War positioned himself as an Ogoni leader dedicated to the Federal cause. [12]He followed his job as an administrator with an appointment as a commissioner in the old Rivers State. His best known novel, Sozaboy: A Novel in Rotten English, tells the story of a naive village boy recruited to the army during the Nigerian Civil War of 1967 to 1970, and intimates the political corruption and patronage in Nigeria’s military regime of the time. Saro-Wiwa’s war diaries, On a Darkling Plain, document his experience during the war. He was also a successful businessman and television producer. His satirical television series, Basi & Company, was wildly popular, with an estimated audience of 30 million.
In the early 1970s, Saro-Wiwa served as the Regional Commissioner for Education in the Rivers State Cabinet, but was dismissed in 1973 because of his support for Ogoni autonomy. In the late 1970s, he established a number of successful business ventures in retail and real estate, and during the 1980s concentrated primarily on his writing, journalism and television production. In 1977, he became involved in the political arena running as the candidate to represent Ogoni in the Constituent Assembly. Saro-Wiwa lost the election in a narrow margin. It was during this time he had a fall out with his friend Edwards Kobani.
His intellectual work was interrupted in 1987 when he re-entered the political scene, having been appointed by the newly installed dictator Ibrahim Babangida to aid the country’s transition to democracy. But Saro-Wiwa soon resigned because he felt Babangida’s supposed plans for a return to democracy were disingenuous. Saro-Wiwa’s sentiments were proven correct in the coming years, as Babangida failed to relinquish power. In 1993, Babangida annulled Nigeria’s general elections that would have transferred power to a civilian government, sparking mass civil unrest and eventually forcing him to step down, at least officially, that same year.
Works
Saro-Wiwa’s works include TV, drama and prose writing. His earlier works from 1970s to 1980s are mostly satirical displays that portrays a counter-image of Nigerian society[16] but his later writings were more inspired by political dimensions such as environmental and social justice than satire.
Transistor Radio, one of his best known plays was written for a revue during his university days at Ibadan but still resonated well with Nigerian society and was adapted into a television series. Some of his works drew inspiration from the play. In 1972, a radio version of the play was produced and in 1985, he produced, Basi and Company, a successful screen adaption of the play. Saro-Wiwa included the play in Four Farcical Plays and Basi and Company: Four Television Plays. Basi and company, an adaptation of Transistor Radio ran on television from 1985 to 1990. A farcical comedy,[18] the show chronicles city life and is anchored by the protagonist, Basi, a resourceful and street wise character looking for ways to achieve his goal of obtaining millions which always ends to become an illusive mission.
In 1985, the Biafran Civil War novel Sozaboy was published. The protagonist’s language was written in nonstandard English or what Saro-Wiwa called “Rotten English”, a hybrid language of pidgin English, standard English and broken English.
Activism
In 1990, Saro-Wiwa began devoting most of his time to human rights and environmental causes, particularly in Ogoniland. He was one of the earliest members of the Movement for the Survival of the Ogoni People (MOSOP), which advocated for the rights of the Ogoni people. The Ogoni Bill of Rights, written by MOSOP, set out the movement’s demands, including increased autonomy for the Ogoni people, a fair share of the proceeds of oil extraction, and remediation of environmental damage to Ogoni lands. In particular, MOSOP struggled against the degradation of Ogoni lands by Royal Dutch Shell.
In 1992, Saro-Wiwa was imprisoned for several months, without trial, by the Nigerian military government.
Saro-Wiwa was Vice Chair of the Unrepresented Nations and Peoples Organization (UNPO) General Assembly from 1993 to 1995. UNPO is an international, nonviolent, and democratic organisation (of which MOSOP is a member). Its members are indigenous peoples, minorities, and unrecognised or occupied territories who have joined together to protect and promote their human and cultural rights, to preserve their environments and to find nonviolent solutions to conflicts which affect them.
In January 1993, MOSOP organised peaceful marches of around 300,000 Ogoni people – more than half of the Ogoni population – through four Ogoni urban centres, drawing international attention to their people’s plight. The same year the Nigerian government occupied the region militarily.
Arrest and execution
Saro-Wiwa was arrested again and detained by Nigerian authorities in June 1993 but was released after a month. On 21 May 1994 four Ogoni chiefs (all on the conservative side of a schism within MOSOP over strategy) were brutally murdered. Saro-Wiwa had been denied entry to Ogoniland on the day of the murders, but he was arrested and accused of inciting them. He denied the charges but was imprisoned for over a year before being found guilty and sentenced to death by a specially convened tribunal. The same happened to eight other MOSOP leaders who, along with Saro-Wiwa, became known as the Ogoni Nine.
Some of the defendants’ lawyers resigned in protest against the alleged rigging of the trial by the Abacha regime. The resignations left the defendants to their own means against the tribunal, which continued to bring witnesses to testify against Saro-Wiwa and his peers. Many of these supposed witnesses later admitted that they had been bribed by the Nigerian government to support the criminal allegations. At least two witnesses who testified that Saro-Wiwa was involved in the murders of the Ogoni elders later recanted, stating that they had been bribed with money and offers of jobs with Shell to give false testimony, in the presence of Shell’s lawyer.[25]
The trial was widely criticised by human rights organisations and, half a year later, Ken Saro-Wiwa received the Right Livelihood Award for his courage, as well as the Goldman Environmental Prize.
On 8 November 1995, a military ruling council upheld the death sentences. The military government then immediately moved to carry them out. The prison in Port Harcourt was selected as the place of execution. Although the government wanted to carry out the sentences immediately, it had to wait two days for a makeshift gallows to be built. Within hours of the sentences being upheld, nine coffins were taken to the prison, and the following day a team of executioners was flown in from Sokoto to Port Harcourt.
On 10 November 1995, Saro-Wiwa and the rest of the Ogoni Nine were taken from the army base where they were being held to Port Harcourt prison. They were told that they were being moved to Port Harcourt because it was feared that the army base they were being held in might be attacked by Ogoni youths. The prison was heavily guarded by riot police and tanks, and hundreds of people lined the streets in anticipation of the executions. After arriving at Port Harcourt prison, Saro-Wiwa and the others were herded into a single room and their wrists and ankles were shackled. They were then led one by one to the gallows and executed by hanging, with Saro-Wiwa being the first. It took five tries to execute him due to faulty equipment. His last words were “Lord take my soul, but the struggle continues.” After the executions, the bodies were taken to the Port Harcourt Cemetery under armed guard and buried. Anticipating disturbances as a result of the executions, the Nigerian government deployed tens of thousands of troops and riot police to two southern provinces and major oil refineries around the country. The Port Harcourt Cemetery was surrounded by soldiers and tanks.
The executions provoked a storm of international outrage. The United Nations General Assembly condemned the executions in a resolution which passed by a vote of 101 in favor to 14 against and 47 abstentions. The European Union condemned the executions, which it called a “cruel and callous act”, and imposed an arms embargo on Nigeria. The United States recalled its ambassador from Nigeria, imposed an arms embargo on Nigeria, and slapped travel restrictions on members of the Nigerian military regime and their families. The United Kingdom recalled its high commissioner in Nigeria, and British Prime Minister John Major called the executions “judicial murder.” South Africa took a primary role in leading international criticism, with President Nelson Mandela urging Nigeria’s suspension from the Commonwealth of Nations.
Zimbabwe and Kenya also backed Mandela, with Kenyan President Daniel arap Moi and Zimbabwean President Robert Mugabe backing Mandela’s demand to suspend Nigeria’s Commonwealth membership, but a number of other African leaders criticized the suggestion. Nigeria’s membership in the Commonwealth of Nations was ultimately suspended, and Nigeria was threatened with expulsion if it did not transition to democracy in two years. The US and British governments also discussed the possibility of an oil embargo backed by a naval blockade of Nigeria.
In his 1989 short story “Africa Kills Her Sun”, Saro-Wiwa in a resigned, melancholic mood, foreshadowed his own execution.
